Sep 08

Sigma APO Teleconverter 1.4x EX DG for Canon Mount Lenses

Posted by admin | Posted in Sigma | Posted on 08-09-2010

Sigma APO Teleconverter 1.4x EX DG for Canon Mount Lenses

Sigma APO Teleconverter 1.4x EX DG for Canon Mount Lenses Review

I had this goal for a week, and is perfect for travel,
and if you do not know where you're going to take photos

Build quality is excellent (not as usual sigma)
and is very compact and easy for a target range.

just not very sharp images at 18mm,
but with this type of lens is known
and is still better than the kit 18-55mm lens I have.

When you see the coincidence: bigger, bulkier,
willing and able to object if you change between 18 and 200mmm focus
with this: do not have these problems!
Obviously, you will find more anger (eg 18-270)
but for me it goes from 18 to 200 and that is compact,
There is stabilizing and focusing ultrasound, but
First, the trick is not necessary if you have a Pentax SLR,
and secondly, the focus ultrasoundis more expensive
and not always necessary and increase the size of the lens.

For me, this lens with my Pentax K10D and my Pentax KX excellent
…. And by the way, this lens is not expensive.

Sigma APO Teleconverter 1.4x EX DG for Canon Mount Lenses Overviews

The dedicated 1.4x APO Teleconverter features a high performance 5 element/3 group optical design, and it is optimized for use with long telephoto and telezoom lenses.The high performance optical characteristics of these teleconverters maintain the optical performance of the compatible lenses with which they can be used. Sigma APO Tele Converter 1.4x and 2x are dedicated Tele Converter lenses, which should be used only with the listed lenses. The 1.4X Convertor will fit the following lenses 180mm f/3.5 APO MACRO EX HSM – MF 300mm f/2.8 APO EX HSM – AF 300mm f/4.0 APO MACRO – MF 400mm f/5.6 APO MACRO /HSM – MF 500mm f/4.5 APO EX HSM – MF 800mm f/ 5.6 EX HSM – MF 70-200mm f/2.8 EX HSM – AF 70-210mm f/2.8 – MF 50-500mm f/4-6.3 APO – MF 100-300mm f/4 EX HSM – AF 120-300mm f/2.8 EX APO – AF 300-800mm f/5.6 EX APO – MF Will also fit the following Orginal Canon EF Lenses 200mm f2.8L USM – AF 300mm f2.8L USM – AF 300mm f4.0L IS – MF 400mm f2.8L USM – AF 400mm f5.6L USM – MF 500mm f4.5L USM – MF 600mm f/4L – MF 70-200mm f2.8L USM – AF On the lists, the lenses marked “AF” will retain auto focus operation when used with a Tele Converter. The lenses marked “MF can only be used for manual focus. Please refer to the manufacturers Teleconverer Matching List for an updated compatability chart. http://www.sigma-photo.co.jp/english/ac

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Sep 02

Sigma 70mm f2.8 EX DG Macro Lens (Canon Mount)

Posted by admin | Posted in Sigma | Posted on 02-09-2010

Sigma 70mm f2.8 EX DG Macro Lens (Canon Mount)

Sigma 70mm f2.8 EX DG Macro Lens (Canon Mount) Review

I probably just echo Thomas Summer’s comments, but this is a great lens at any price, and in comparison to the cost of the Canon equivalent it is a super value purchase. Even though lens reviews and tests are usually based on just one example, the review in Popular Photography convinced me, and I am glad I made the choice. My only complaint is I don’t really like the dull, “sandblast” finish, but I can live with the cosmetics for the build and lens quality. One feature I really like is that I can use it both on my digital and full frame film camera bodies.

Sigma 70mm f2.8 EX DG Macro Lens (Canon Mount) Overviews

The advent of digital SLRs requires optimum lens performance and therefore the very latest optical technology has been incorporated in the production of this medium telephoto macro lens. The 70mm focal length gives an equivalent field of view as our popular 105mm macro lens when used on digital SLR cameras with an APS-C size image sensor. The design of this lens makes it suitable for taking pictures in all situations both with natural light conditions or flash.

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Aug 31

Sigma 120-300mm f/2.8 EX DG IF HSM APO Telephoto Zoom Lens for Canon SLR Cameras

Posted by admin | Posted in Sigma | Posted on 31-08-2010

Sigma 120-300mm f/2.8 EX DG IF HSM APO Telephoto Zoom Lens for Canon SLR Cameras

Sigma 120-300mm f/2.8 EX DG IF HSM APO Telephoto Zoom Lens for Canon SLR Cameras Review

Got this lens for use with a Nikon D3 and D300. I shoot mostly sports and needed something a bit longer than my old 80-200/2.8 for field sports like baseball and lacrosse. I also have used this lens indoors for volleyball on my D3 so I can sit way up in the stands and still get close enough while looking down onto court at a cool angle. The 2.8 really comes in handy since my gym’s lighting is absolutely horrible.

Anyway, I also got the Sigma 1.4x TC (which only AF and meters with a few lenses, including this one and the 300/2.8 prime, but they don’t tell you that until you read the booklet insde the TC box!) So combining my 1.5 crop D300 with the 1.4x TC and this monster lens, I get about 250-630/4. In the full-frame D3 I get about 168-420/4 with the same setup. I have heard that some copies of this lens don’t zoom all the way out the the claimed 300 mm but my metadata shows that my max focal length is actually 420 mm with the 1.4 TC on the D3, FWIW.

I thought about getting the 300 prime but really wanted the zoom feature since moving around a lot is not really an option for most sports shooting. I would love to get the Nikkor 200-400/4 but at K, that’s not really an option and besides, I have a 2.8!

Pros: Good image quality, even with 1.4x TC, on par with or better than my Nikkor 80-200/2.8; great in low light at f/2.8; fast and quiet focusing that can keep up with fast action sports; way cheaper than anything Nikon makes (especially since they don’t even make a 120-300/2.8 zoom!)

Cons: Cheap metal finish quality (thin, matte paint that shows scratches easily, if it doesn’t chip off entirely); the zoom ring is reverse of Nikon direction (not bad if zooming is slow and deliberate, but I have issues when I need to snap in or out quickly and old habits take over from using Nikon lenses); zoom ring feels a bit stiffer than my 80-200 (don’t know if it’s just my copy, but I only need gentle fingertip pressure on the 80-200 to zoom but the Sigma requires a firm finger “squeeze”) which affects how fast I can zoom in and out and thus how I shoot; lame lens cover “sock” that doesn’t stay on when the hood is deployed

Other thoughts: Great lens for the money, especially when paired with 1.4x TC. The zoom ring issues I’m dealing with ok, it’s just annoying at times, but not a deal-breaker for me. The biggest niggle is the cheap paint that flakes off (especially on the handle of the rotating collar and the edges of the hood–places that see the most action)

Sigma 120-300mm f/2.8 EX DG IF HSM APO Telephoto Zoom Lens for Canon SLR Cameras Overviews

*THE NEW DG MODEL IS HERE*A telephoto zoom lens, which retains a constant fast aperture of F2.8 at all focal lengths.This telephoto zoom lens has a large aperture of F2.8 that is constant throughout the zoom range. The angle of view of the 120-300mm F2.8 varies from 20.4degree to 8.2degree and offers great versatility of composition from a fixed position. Two Special Low Dispersion (SLD) glass elements in the front lens group and two in the rear group offer effective compensation of color aberration. Since focusing and zooming do not change its overall length, this lens offers ease of handling. HSM ensures a quiet, high-speed, AF as well as full-time manual focus (for Sigma, Canon and Nikon mounts).

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Aug 29

Sigma 24-70mm f/2.8 IF EX DG HSM AF Standard Zoom Lens for Canon Digital SLR Cameras

Posted by admin | Posted in Sigma | Posted on 29-08-2010

Sigma 24-70mm f/2.8 IF EX DG HSM AF Standard Zoom Lens for Canon Digital SLR Cameras

Sigma 24-70mm f/2.8 IF EX DG HSM AF Standard Zoom Lens for Canon Digital SLR Cameras Review

I needed a good zoom for weddings, I have been using a canon 24 1.4 and Sigma 50 1.4 and shooting at 2.8. The 24-70 gives me the 2.8 I like to shoot at plus the range I like to shoot at. I love the Sigma 50 1.4 on my 7D it gives me the look I want. But inside with more then 2 people in the picture I needed to much room so I stopped to switch to the 24L. The problem I found with primes is after an hr of pictures most people start to get grumpy and dont like any delays and stoping to switch lens is a delay so I got the 24-70 2.8 to cover 95% of my pictures.

I had to set my focus adjust on the 7D to +10 for this lens. With the +10 I have just a tiny bit of FF at 24 and a tiny bit of BF at 70 but you have to be at 100% to see it. For cameras that do not have the focus adjust the +10 would be a large problem so if you dont have FA get the canon or plan on sending it in for adjustment, its worth it :)

A friend ask me to shoot his Hockey game so I used the 24-70 and was very very hapy with the results, out of 66 pictures not one was out of focus. The lens was always in focus. I am not saying it was perfect but it was good enough that you cant tell at 8×10 print size. On my 7D the focus was fast and accurate.

There are some reviews on the net that show this lens has bad corner resolution at 70mm and there are some that show it has better corners then both the Canon and Nikon 24-70′s. The corners on my copy are good but not perfect. The Sigma 50 had about the same resolution at 1.4 as the 24-70 at 2.8 but with the 50 at 2.8 its a bit better. The bokeh is ok but the 50 is better. The colors are good on both and the 24-70 has very little CA.

Dave

Sigma 24-70mm f/2.8 IF EX DG HSM AF Standard Zoom Lens for Canon Digital SLR Cameras Overviews

This large aperture standard zoom lens covers focal lengths from 24mm and is housed in compact construction. The latest optical design provides an overall length of 94.7cm /3.7inch. It is ideal for general photography such as snapshots, portraiture and landscapes. The Super Multi Layer Coating reduces flare and ghosting. ELD (Extraordinary Low Dispersion) glass, two SLD (Special Low Dispersion) glass elements and three aspherical lenses provide excellent correction of all types of aberrations. Superior optical performance is ensured throughout the entire zoom range. This lens incorporates HSM (Hyper Sonic Motor), ensuring a quiet and high speed AF as well as full time manual focusing capability. This lens has a minimum focusing distance of 38cm/15in and a maximum magnification ratio of 1:5.3. The rounded 9 blades diaphragm creates an attractive blur. It is possible to attach the included petal-type hood to block out extraneous light.

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Aug 13

Sigma 28-105mm f/3.8-5.6 UC-III Aspherical IF Wide Angle Telephoto Zoom Lens for Canon SLR Cameras

Posted by admin | Posted in Sigma | Posted on 13-08-2010

Sigma 28-105mm f/3.8-5.6 UC-III Aspherical IF Wide Angle Telephoto Zoom Lens for Canon SLR Cameras

Sigma 28-105mm f/3.8-5.6 UC-III Aspherical IF Wide Angle Telephoto Zoom Lens for Canon SLR Cameras Review

Picked 5 stars since I couldn’t pick 4 1/2 stars. I bought this lens to replace the 35-80mm lens that came with my Canon EOS Rebel 2000. Having used Sigma lenses with my Pentax 35mm I knew I couldn’t go wrong. This lens is light weight, quick to focus and quiet. Focus ring (for manual fousing) is smooth and in just the right spot. The zoom ring is not quite as smooth as the focus but it’s not a hinderance. The 28-105mm zoom range is ideal for beginning and experienced photographers and provides more flexibility than the 35-80mm lens I replaced. All three rolls of film I’ve shot with this lens look great! Included lens hood is ideal for preventing lens flare when taking pics outside.

Sigma 28-105mm f/3.8-5.6 UC-III Aspherical IF Wide Angle Telephoto Zoom Lens for Canon SLR Cameras Overviews

CL) INT) 28-105MM F3.8-5.6 F/CANON

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Aug 11

Sigma 15mm f/2.8 EX DG Diagonal Fisheye Lens for Canon SLR Cameras

Posted by admin | Posted in Sigma | Posted on 11-08-2010

Sigma 15mm f/2.8 EX DG Diagonal Fisheye Lens for Canon SLR Cameras

Sigma 15mm f/2.8 EX DG Diagonal Fisheye Lens for Canon SLR Cameras Review

Have been using the Sigma 15mm Fisheye for some weeks on a 5Dii and have taken about 1.000 shots with it. The short story: its a great lens that has lots to offer for anyone who like wide angle shots. Colors and flare resistence is tops. Centre sharpness is very good even wide open, while corners tend to be soft and suffer CA unless it is stopped down.

Fisheye lenses have a mixed reputation, which is a shame as they are some of the most versitile lenses around. Some of the bad reputation comes from the fact that some people think all fisheyes are “round”. However, the Sigma 15mm is diagonal fisheye, and fills the picture across the entire sensor.

But why a fisheye at all? Three main reasons;
1) its wider than a standard lens (so 15mm fisheye is much wider than a 14mm standard lens)
2) by not correcting the light (as much as a traditional lens), the fisheye should have less flare and
2) better – even spectacular – colors.

And when it comes to flare resistance the Sigma 15mm shines. Colors are also great, but fisheye lenses can be very tricky for the camera’s light meter. So with my 5Dii I often shoot @ f/-2/3 to f/-1½ to compensate for overexposure at bright daylight.

Some people complain that the Sigma may hunt at low light, but I do not find it more difficult to use than most other lenses – actually I find it quite good. It has worked fine from early morning, over heavy rain to dark night.

Versatile? You bet! The important aspect of shooting a fisheye is to use the focal plane very actively in your shots. There is a dramatic shift in the look and feel of a shot depending on the tilt to the horizon and where in the picture plane your objects are.

Also, as long as you shoot “rounded” objects such as people, a fisheye often works better than a traditional wide lens like the Canon 14L. On the other hand its not very good at buildings unless you use software to correct.

Finally, the ability to use software to straighten out the curved lines makes fisheye lenses more versitile than ever.

For me the Sigma has been a hit. My impression from reading reviews etc. on the net is that there is no significant difference between the Sigma and the Canon, so get whichever is the cheapest where you live (that’s what I did).

[Please disregard the previous review about vignetting. This lens has almost none even on a full frame. The user just forgot to take of the entire lens cap before shooting...]

Sigma 15mm f/2.8 EX DG Diagonal Fisheye Lens for Canon SLR Cameras Overviews

This digitally optimized diagonal fisheye lens is equipped with a new multi-layer coating technology that reduces both flare and ghosting. This also ensures an accurate color balance and high definition results. With a minimum shooting distance of only 15cm (5.9 inch), this lens has a maximum magnification of 1:3.8. The close focusing capability together with a large depth of field allow close up photography that covers objects surrounding the photographic subject. This lens is supplied with a gelatin filter holder at the rear, and a fitted padded case.

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Aug 10

Sigma 105mm f/2.8 EX DG Medium Telephoto Macro Lens for “Canon” SLR Cameras + Accessory Kit

Posted by admin | Posted in Sigma | Posted on 10-08-2010

Sigma 105mm f/2.8 EX DG Medium Telephoto Macro Lens for

Sigma 105mm f/2.8 EX DG Medium Telephoto Macro Lens for “Canon” SLR Cameras + Accessory Kit Overviews

The Sigma 105mm f2.8 EX Macro delivers superb, distortion-free images throughout its broad focus range, from infinity telephoto to 1: 1 (life-size) macro, as close as 12.3″ without accessories.Its non-rotating front lens group makes it easier to work with polarizing filters and has a focus limiter (eg. Full Range; – 15.8 in.; 14.6 in. – 12.3 in.).A “focus-free” mechanical design allows the lens to auto focus without any interference from the manual focus ring. This makes it easier to hold the lens without affecting the speed or normal operation of the autofocus function. Rugged mechanical construction also makes it durable enough for even the heaviest use required by professional photographers.The Sigma 105mm f2.8 EX Macro features the new deluxe external EX finish. These features and other Sigma optical advances, including an uncommonly broad range of focus, make this an ideal lens for a wide variety of applications, from nature photography to portraits.
++PLUS++ Accessory Kit: 3 pc Filter Kit: Includes; UV filter, Polarizing filter, Fluorescent correction filter & Filter case – Lens Pen Cleaning Tool – Professional Dust Blower – Cap Keeper Front Lens Cap Leash – Lens Care & Cleaning Kit – Advanced Micro Fiber Cleaning Cloth.

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Aug 07

Sigma 8-16mm f/4.5-5.6 DC HSM FLD AF Ultra Wide Zoom Lens for APS-C sized Canon Digital DSLR Camera

Posted by admin | Posted in Sigma | Posted on 07-08-2010

Sigma 8-16mm f/4.5-5.6 DC HSM FLD AF Ultra Wide Zoom Lens for APS-C sized Canon Digital DSLR Camera

Sigma 8-16mm f/4.5-5.6 DC HSM FLD AF Ultra Wide Zoom Lens for APS-C sized Canon Digital DSLR Camera Review

I am going to give my opinion comparing the Sigma 8 – 16mm to the Sigma 10 – 20mm lens and not to other manufactures WA lenes.

I take around 200,000 pictures a year with the Sigma 10 – 20mm lens. The lens has held up well, feels solid and in my opinion works well with little chromatic aberrations. My only real issue with the 10 – 20 was when taking photos of dark home interiors (which is what I do) and there is a very bright window in the image then sometimes a blue flare appears just off center in the image. This can be reduced by, say 90% in Photoshop. It does not happen every time but when it does even moving to a slightly different shooting position often does not eliminate the problem. The blue flare seems to be not the same problem one might expect to see outdoors shooting in bright sunlight where flare spots can run diagonally through the picture, but then maybe it is the same type of flare. Also by even adding a “thin” filter it can cause some vignetting. The filter issue is forgivable on such a wide angle lens. One last point, there is some slight curvature noticable on verticals close to the sides of the frame.

So to the Sigma 8 – 16mm. I think it’s very well made and feels good and solid right out of the box. I was thinking “20% wider” but forgot also 20% taller in image coverage. It is noticable different in angle of view from the 10 – 20mm. Because of the bulbus front element forget about ever adding a filter. Some WA lenes (fisheyes) allow fitting a filter in the rear of the lens. Forgive me but I have not looked to see if this lens allows that. The front of the lens has a fixed petal lens shade that allows the lens cap to slide/push over it and creating a nice tight fit. The lens cap is in two parts for reasons someone else will have to explain.

The lens has a maximium f4.5 – f5.6 aperture, a little slow but of no importance for most users of a lens this wide and for 99% of the uses it will be put to.

I have taken about 2,000 pictures with my 8 – 16mm and think it is probably slightly better in all aspects than the 10 – 20mm lens, but read the guys who put this lens through lab tests, my tests are in the field and based on what my eyes can see rather than what instruments can measure.

It is a harder lens to use than the Sigma 10 – 20mm. Tilting just slightly will cause verticuls to tilt (thank you Photoshop). I have noticed the blue flare less with this lens than the 10 – 20mm. I think it may be there but spread over a bigger area and less strong and maybe less common. Some flare is to be expected with all super wides. Curviture at the frame edges seems about the same as the 10 – 20mm – which I consider good – again for a super wide.

So which is the better choice. That is a difficult question to answer – it depends. The 8 – 16mm is about 0 more – but is noticable wider. It you need to squeese every inch from a picture then the 8 – 16 is your choice. If price is a concern or landscape is your interest I am sure the 10 – 20 would suffice. However if money is no object then get the 8 – 16mm and then go out and learn to use it. Believe me there is a learning process.

Sigma 8-16mm f/4.5-5.6 DC HSM FLD AF Ultra Wide Zoom Lens for APS-C sized Canon Digital DSLR Camera Overviews

The Sigma 8-16mm F4.5-5.6 DC HSM is the only one of its kind. This is the first ultra wide zoom lens with a minimum focal length of 8mm, designed specifically for APS-C size image sensors. It has an equivalent angle of view of a 12-24mm lens when used on digital camera with an APS-C size image sensor. Sigma’s new FLD glass elements, which have the performance equal to fluorite glass, compensate for color aberration. One hybrid aspherical lens and two glass mold elements give excellent correction for distortion and astigmatism. An inner focusing system produces high definition images throughout the entire zoom range and the Super Multi-Layer Coating reduces flare and ghosting while superior peripheral brightness ensures high contrast images throughout the entire zoom range. HSM ensures quiet and high speed AF as well as full-time manual focus capability. It has a minimum focusing distance of 9.4 inches throughout the entire zoom range which allows photographers to emphasize the subject by creating exaggerated perspectives. This lens has a compact construction with an overall length of 4.2 inches and a maximum diameter of 2.9 inches and is perfect for shooting landscape photography, architecture, building interiors, photojournalism, wedding photography, group pictures and more. Please Note Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras.

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Aug 05

Sigma 70-300mm f/4-5.6 DG Macro Tele Zoom Lens Kit, for Canon EOS Cameras with Tiffen 58mm UV Filter, Lens Cap Leash, Professional Lens

Posted by admin | Posted in Sigma | Posted on 05-08-2010

Sigma 70-300mm f/4-5.6 DG Macro Tele Zoom Lens Kit, for Canon EOS Cameras with Tiffen 58mm UV Filter, Lens Cap Leash, Professional Lens

Sigma 70-300mm f/4-5.6 DG Macro Tele Zoom Lens Kit, for Canon EOS Cameras with Tiffen 58mm UV Filter, Lens Cap Leash, Professional Lens Overviews

Telephoto zoom lens with excellent cost performance and optimised for use with digital SLR cameras Capable of macro photography, this lens has a 1:2 maximum close-up magnification at the 300 mm focal length. It’s the ideal high performance lens for portraits, sports photography, nature photography, and other types of photography that frequently use the telephoto range. SLD (Special Low Dispersion) glass We used SLD (Special Low Dispersion) glass in this lens for excellent correction of chromatic aberration. This also corrects for fluctuation of aberration due to focusing. The new multi layer lens coating reduces flare and ghosting, a common problem with digital cameras and also creates an optimum colour balance. Macro shooting with maximum magnification 1:2 The minimum focusing distance is 1.5 m/59 inches at all zoom settings. It also has a switch for changeover to macro photography at focal lengths between 200mm and 300mm with a maximum close-up magnification from 1:2.9 to 1:2. Without changing the distance between camera and subject, you can change the shooting magnification

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Jul 26

Sigma 180mm f/3.5 EX DG IF HSM APO Macro Lens for Canon SLR Cameras

Posted by admin | Posted in Sigma | Posted on 26-07-2010

Sigma 180mm f/3.5 EX DG IF HSM APO Macro Lens for Canon SLR Cameras

Sigma 180mm f/3.5 EX DG IF HSM APO Macro Lens for Canon SLR Cameras Review

I have owned this lens now for about a month. It was bought to be used on a Nikon D700, D2x, and D200. I have already taken it on a vacation trip to Mesa Verde, Colorado and it performed flawlessly. It does hunt somewhat at close macro distances but I would prefer manual focus on extreme close ups anyway. The reviews talk about the sturdiness and tank-like quality and this is true but it is easy to handhold at normal shutter speeds.
I have used it for macros, for sports photography and portraits. It hardly ever is taken off the D2x since this is the camera of choice for me. Wife has used it on the D700 and since she does photography for her profession, her opinion counts for me. She loves the lens!
The supplied lens hood will mar fairly easily since I already have some small rub marks. I am not sure I like the sparkly finish on the hood and lens but it works and that is what it is supposed to do. I own two other Sigmas, one consumer type zoom lens which is the 28-105mm f2.8/4 which I hardly use and the 12-24mm EX which I use occasionally. My other lenses are all Nikon which include many primes (300mm f4 and f2.8, 70-200mm 2.8 VR, 80-200mm 2.8 and quite a lot of other ones) and this Sigma 180mm f3.5 is every bit the equal in contrast, sharpness and build as the Nikon lenses. I bought this on Amazon through 47th St. Photo at an amazingly low price. I was worried about the merchant because of previous experience but the lens was shipped immediately, arrived boxed and well packed in 2 business days.

Highly recommended.

Sigma 180mm f/3.5 EX DG IF HSM APO Macro Lens for Canon SLR Cameras Overviews

Taking picture of small animals and insects can be difficult, because they often run or fly away, or can be dangerous or become aggressive if you approach them. Therefore it is advantageous to have a greater working distance between the camera and such subjects. Longer focal length lens can provide this greater distance, but most long lens do not focus close enough to provide a large image of small subjects. The tele-macro type lens solves this problem by producing a large, high quality image, up to life-size, while maintaining a long working distance. This can enable you to capture on film the world of photomicrography, without disturbing the subjects. The 180mm F3.5 APO MACRO lens has a very narrow field of view, and can allow very narrow depth-of-field for selective focus and less distracting backgrounds. This lens is most desirable for photographers who are serious about producing high quality images both of macro subjects at life-size reproduction, as well as normal telephotography. Floating Inner Focusing System The Floating Inner Focus System of the APO MACRO 180mm F3.5 EX HSM provides high quality optical performance and superior handling and stability. This system moves two lens groups within the lens, so the lens’ physical length remains unchanged. This technique also maintains good correction for Spherical Aberration and Astigmatism, and provides extremely high optical performance from infinity to 1:1 Macro. Full-time Manual Focus with HSM Macro photography requires precise focus adjustment. The HSM (Hyper Sonic Motor) feature is ideal for this purpose as it allows quick and precise manual focus, even in auto focus mode. Simply focus with HSM auto focus, then while partially depressing the shutter release, turn the manual focus ring until any desired focus adjustment is made. Then depress the shutter release fully to take the picture. It is not necessary to switch from AF to MF. When the shutter release is next depressed, the AF function will resume

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*** Product Information and Prices Stored: Jul 26, 2010 02:41:35

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